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the songs
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From this screen you can link to the lyrics and an MP3 of each title . What we offer here is the original songwriter's version of each song. But there are many different ways of treating a song and the creativity of the artist working with an empathetic producer should always be given plenty of room to achieve the finished recording.
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We aim for quality: these tracks are of broadcast recording standard (thanks to pre-mastering by Andy Jackson, Pink Floyd's recording engineer). Alan is seeking to achieve the best quality recordings of his material. This is an essential and demanding task in today's marketplace where A'n'R people, publishers and others are accustomed, now more than ever, to evaluating music and songs that have been given the full (and comprehensively packaged) professional treatment in the best studios by 'name' producers. The individual writer/producer must compete at this level by a commitment to constant improvement, by keeping abreast of the constantly changing array of digital tools available for the project studio and by not forgetting his analogue roots. Some earlier songs, although they may have merit, clearly do not achieve these production standards - but they will be re-recorded, at some stage, so some are included.
Is there a place for us? It is a highly competitive marketplace out there but (if you want to compete) you must always believe there is a place for a good (even a hit?) song and that you are capable of writing it. We have been told there are still producers who prefer demos not to be elaborate and who might prefer the bare bones of a song with one guitar or piano accompaniment. Who he?
Only a handful not a hat full. The songs listed below are a small representative sample of Alan's work over a period of time. It is Alan's intention to change the titles from time to time but in any case he has tried to set this up so you can read the lyrics whilst auditioning the track. We would urge you to visit the legal sheet page to recap on copyright etc.
Howling feedback. It is helpful (sometimes) to get reaction and if you or your pet feel so inclined please contact Alan to leave your comment. All communications will be replied to - if you wish!
Licensing
License this music for commercial use through Pump Audio
Some tracks are also available for purchase at a modest price. These are in mp3 format (192 kbps, 44.1 hz Stereo). Please click through on the 'Buy ' button to Alan's Broadjam site where you may audition at leisure and pay securely. Don't forget this is the decade to support your local songwriter!
Thank you for listening (and reading this - wake up at the back there!).
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the songs
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It's about counting on the ones closest to you in times of emotional need - in this case the family.It is left unsaid as to how the protagonist lost his love ...
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Th
Re-building ... and re-building again. Let's hope you don't blow it this time!
But now things are different
'she puts my feet back on the ground'
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The temptation of new love in the form of a clandestine kiss puts a long established self-sufficiency under threat . He's also got an acoustic slide on his lap - some guys have all the luck. iency
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Leaving your love (for now) because something drives you on; something bigger.
The madness of these wars, the reluctant fighter,
the march towards a resolution.
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Change is as vital as life itself ... it is life itself! A country acoustic slide/harp bluesy thing with an up-front piano. Yes the 'dog' and the 'car' both put in an appearance (as does the 'motel').
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Love against a backdrop of adversity. Will it survive ... who knows? 'I mean to arrest the ascendance of these Philistines'.
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In a New Country sort of vein (or could be). The protagonist (Dad) fights for his dignity and standing in the eyes of his son of tender years.
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Winner of a Semi-Final place in the 2006 UK Songwriting Contest - Lyrics Only genre - this song spins out towards the edge
of the loop and takes a wry look at those trying hard just to survive.
